摘要
《倾城之恋》极富解构主义色彩,它力图通过对文本意义与形象意义的消解,对封建道德秩序和父系文明下社会秩序的颠覆,完成对父系文明的否定与反叛。张爱玲在文本意义的消解中,既有对叙事逻辑的消解,也有对小说题目的消解,同时,她又对白流苏和范柳原进行形象意义的消解。在这种解构的背后,呈现出巨大的价值,即艺术张力的独特性与思想内涵的深刻性。张爱玲借文本意义的消解来建立自己独特的艺术风格和批判庞大的父系文明,并试图抵制与推翻它,从而希望建立一个独立于父系文明之外的女性神话。
Love In A Fallen City, which is working through text and image meaning, and overturning Feudal moral or- der and the public order in the Patriarchal civilization, not only has Deconstructionism-color, but also strongly nega- tives and criticizes the Patriarchal civilization. Zhang ailing clears up Narrative logic and tire of this novel, at the same time, she deconstructs Bai Liusu and Fan Liuyuan's images. On the other hand, it presents tremendous values, namely are the uniqueness of the art tension and the ideological connotation profundity, behind the deconstruction. Zhang Ail- ing builds unique art style and criticizes Patriarchal civilization through meaning digestion, consequently hopes to build Female myth. which is independent of Patriarchal civilization.
出处
《沈阳工程学院学报(社会科学版)》
2013年第1期82-85,共4页
Journal of Shenyang Institute of Engineering:Social Science
关键词
《倾城之恋》
解构主义色彩
意义
消解
Love In A Fallen City
deconstructionism-color
meaning
digestion