侯孝贤作品的人文亲和力及其文化品格——兼议台湾“新电影”的崛起及其人文脉理

Humanistic Affinity and Cultural Character of Hou Hsiao-Hsien's Movie Works——Also on the Rise and Humanistic Features of Taiwan "New Movies"

侯孝贤作为台湾新电影的主将,与杨德昌等年青一代导演的创作一起,以文化主体性的苏醒为主题,将电影提升为一种审度自我成长、反省历史经验的语言,关注台湾从纯朴的农耕文明向现代工业文明的艰难转型,焕发出一种可贵的人文亲和力。侯孝贤的作品深深扎根于台湾"乡土文学"的肥沃土壤,具有厚重的文化品格。特别是《悲情城市》对历史的诗意钩沉,隐含着一种遒劲的历史笔调,重构了一段不可被遗忘的悲剧史实,将个人记忆转化为"人民记忆",以介入式的历史意识描绘了一幅沉重而苍凉的史诗长卷,给我们带来有益的文化启迪。

As a leading director of Taiwan new movie, Hou Hsiao-hsien, together with other directors ineluding Yang De-chang, has created many influential films with valuable humanistic ＂affinity. These films focus on the revival of cultural subjectivity, estimate ego growth, reflect on historical experience, and examine the hard transition of Taiwan from simple farming civilization to modem industrial civilization. In particular, the works of Hou Hsiao-hsien take as root Taiwan native literature and are rich in cultural connotation. As his magnum opus, A City of Sadness displays a poetical picture of history, reconstructs a tragic period that should never be forgotten as part of history, sublimates personal memory into ＂ people ＇s memory＂ , composes an epic based on individual historical consciousness and brings much beneficial cultural enlightenment.