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清代文人画与日本文人画之创作形式比较

The Comparison of Artistic Form of Japanese and Qing Dynasty's Literati Paintings
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摘要 通过比较清代文人画与日本文人画之创作形式,彰显了清代文人画的三个特点:水墨为上,重在表现;用色大胆,打破常规;以写为法,画的抽象化。同时探索出日本文人画的主要特点:刻意摹仿,丰富内心;墨的细腻,色的清丽;形式上的"北宗"化。 Through comparing the artistic forms of the Qing Dynasty's literati paintings and the Japanese literati paintings, this paper attempts to reveal three features of literati paintings in Qing Dynasty: ( 1 ) focusing on ink and artistic performance ; (2) using bold colors to break the routine ; (3) writing as the brush law to show the abstraction of Chinese painting. It also finds out the main characteristics of the Japanese literati paintings : ( 1 ) copying deliberately to enrich the thought ; (2) making the ink more delicate and the color exquisite; (3) showing the "north style" form of Chinese paintings.
作者 卢蓉
出处 《华侨大学学报(哲学社会科学版)》 2013年第1期156-160,共5页 Journal of Huaqiao University(Philosophy & Social Sciences)
关键词 清代文人画 日本文人画 创作形式 literati paintings artistic form
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参考文献3

  • 1戚印平.日本绘画史[M].杭州:中国美术学院出版社,2002.
  • 2王原祁.麓台题画稿.转引自俞剑华.中国画论类编(上)[M].北京:人民美术出版社,1986.
  • 3杨成寅.石涛[M].北京:中国人民大学版社,2003.

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