摘要
洪子诚认为北岛诗歌的质地是坚硬的,诗人于坚也把北岛的诗归入硬性诗歌类,他本人则属于软性一流,洪子诚和于坚的此种见解是在阅读北岛诗歌的过程中形成的。北岛善于把悖论的意象组合在一起并进行概括,将理想世界的意象和现实世界的意象,公共、革命意象与私人意象,废墟意象与生机意象进行并置。这些具有异质性的相反意象互相冲撞、牵扯,在诗内部形成一股强大的张力,使其诗歌获得了坚实的力量。与此同时,悖论式的意象还可生成悖论漩涡,在悖论漩涡的挣扎中北岛实现了内心的平衡。
Prof. Hong thought that Bei Dao's solid class too, but his own poems are categorized poetry was solid. Yu Jian classified Bei Dao's poetry as as soft. Their opinions developed from the reading of Bei Dao's poetry. Bei Dao were good at combining all the paradox images and Juxtaposing the image of ideal world with the one of reality, the one of public revolution and the one of private identity, and the one of shambles and that of vitality. The opposite images in his poems collided with each other, leading to the formation of a strong tension within the poems, from which Bei Dao's poetry gained solid force. These paradoxical images can also generate a paradox whirlpool. Struggling against it, Bei Dao achieved his inner balance through this process.
出处
《西南交通大学学报(社会科学版)》
CSSCI
2013年第2期25-30,共6页
Journal of Southwest Jiaotong University(Social Sciences)
关键词
北岛
悖论
意象
悖论漩涡
Bei Dao
paradox
image
paradoxical whirlpool