摘要
藏族英雄史诗《格萨尔》是人民集体创作、口耳相传的世界非物质文化遗产。它之所以规模宏大、卷帙浩繁,与口头程式有极大的关系。本文运用"帕里—洛德理论",通过分析程式套语、程式结构以及语言修辞的程式等,指出了高度程式化的形式结构在《格萨尔》传承过程中,一定程度上为格萨尔艺人提供了记忆上的便利。
Tibetan epic C-esar, on generation by generation world non - material cultural heritage, is created after people collectively and passes orally. Oral formula contributes a lot to a grand scale with many volumes of it. The paper uses "Parry - Lord theory ", by analyzing the formula sets, formula structure and language rhetoric for- mula etc, to point out that the highly stylized form structure provides the convenience of memory for Gesar artists to certain extent .
出处
《齐鲁师范学院学报》
2013年第1期99-102,共4页
Journal of Qilu Normal University