不可言说的韵趣——论《三国演义》意象艺术

Ineffable Rhyme and Fun——On Imagery Art of the Romance of the Three Kingdoms

受到传统诗画艺术的影响,中国古典小说在故事叙述、人物刻画、人物描写等方面讲究传神。《三国演义》尤为突出,对形神关系的处理比较灵活:以"时"换"空",化"有"为"无",绘出《三国》故事画美;简笔勾勒,写意传神,描出《三国》人物画美;虚实相生,皆成妙境,凸出《三国》风景画美。把握《三国演义》这种处理形神关系的美学特征,对欣赏和正确评价作品的思想艺术都有着重要意义。

Influenced by traditional poetry and art, Chinese classical novels pay attention to the vivid touch in the aspects of the story narration, characterization and character description. The Romance of the Three Kingdoms, especially, more flexibly processes the connection between Form and Spirit: room in place of time draws the beauty of the stories; freehand and expressive nattation delineats the beauty of the personalities; virtual and real realms protrude the beauty of the landscape. Grasping the aesthetic characteristics of processing Form and Spirit in this masterpiece is of great significance to the appreciation and correct evaluation of the works' thoughts and arts.