摘要
在唐宋时期,宫廷或画院画工称"待诏"者较为普遍,元代有"待诏"称谓的画工主要是指民间画工。虽然明代早中期无论是宫廷画工还是民间画工都偶有称"待诏"者,但此时的"待诏"称谓是宋代画院画工和元代民间画工"待诏"称谓的余绪,在画工称谓中不占主流地位。明代中期以后,画工的"待诏"称谓便逐渐消失了。
In Tang-Song period,the painters of palace or the painter of imperial art academy were called 'Daizhao' generally.Painters who were called 'Daizhao' are mainly folk painter in the Yuan dynasty.The title 'Daizhao' is the remains of the title 'Daizhao' of the painter of palace and imperial art academy in the Song dynasty and did not stand for all,though the painter of palace or the painter of imperial art academy can be called 'Daizhao' in the Mid-Ming dynasty.The title 'Daizhao ' of painter gradually wither away after the Mid-Ming dynasty.
出处
《艺术探索》
2013年第1期14-15,4,共2页
Arts Exploration
关键词
画工
待诏
称谓
painter
Daizhao
title