左翼文学与电影的性别构形模式

Leftist Literature and Configuration Mode of Gender in Film

左翼文学与电影的性别表述包含明确而相近的观念诉求,形成了特定的性别构形模式。在乡村女性与都市女性的对立模式中,乡村女性因承载苦难而成为革命的代言者,思想性格随情节而发展,而都市女性则为摩登女郎,生活颓靡,思想性格缺少变化。被规划到革命运动中的女性的身体修辞具有去性别化的模式特征,表现出果敢、雄强的美学特质,同时被赋予英雄化的想象性特征。女性与男性的关系嵌入了改造与拯救的性别模式。性别构形的改造模式指向革命主题,却基于男女婚恋故事。故事发展中,"恋爱"问题被悬置,私人情感话语被宏大的阶级、民族、革命话语所代替。

There is a definite and similar conception appeal and a particular gender configuration mode in leftist litera- ture and film. In the rural female versus urban female model, rural female always is a spokesman of revolution, but urban female is a modem lady living in a downcast way and with no changes in her personality. In revolutionary move- ment, female body always puts up a brave and doughty aesthetic feature. Although based upon love story, the reform model of gender configuration point to the revolutionary theme. In the development of story, love problem is suspen- ded ; private discourse is substituted by the grand discourse of class, nationality and revolution.