近代粤闽华侨建筑审美心理描述

Modern Overseas Chinese’s Architectural Aesthetic Psychology Description in Guangdong and Fujian

近代对粤闽侨乡建筑的研究主要包括地域性研究、类型研究、史论研究3个方面,其共同特点是较为重视对建筑客体的描述和界定,而较少关注对建筑实践主体——华侨的研究,华侨建筑审美心理是主体研究的基础和前提,也是近代粤闽侨乡建筑审美文化系统的重要组成部分。在特定的历史情境和主体社会属性的影响下,华侨对西洋风格建筑的认知呈现出天然的"非日常"特征,由此更容易产生建筑审美活动。在这一过程中,主体首先对西洋建筑感到惊羡与向往,继而通过想象沉浸到异域与先进文明的建筑之境中,部分人可最终实现审美超越,从中体会到强烈的人生感和使命感。此外,华侨的建筑情感也伴随着一些负面心理。这些心理因素共同影响并制约着粤闽侨乡建筑风格的形成。

The research of modern overseas Chinese building in Guangdong and Fujian contains three aspects： regional research, type research and historical research. The common point is that they all focus on the description and definition of object, but less focus on subject： overseas Chinese. Subject＇s architectural aesthetic psychology is the basis and premise of the subject research, it also plays an important part in the system of aesthetic culture of overseas Chinese building in Guangdong and Fujian. Under the influence of certain historical situation and subject＇s social attribute, the cognition of overseas Chinese presents a natural ＂＇non daily＂ characteristics, and building aesthetic activities are easier to happen. In this process, subject first feels amazed and yearning, and then let his imagination immersed into the realm of the western architecture, some people can achieve aesthetic transcendence, and experiences sense of life and mission. Besides these, the building emotions of overseas Chinese also come out with some negative psychological impact. These psychological factors have a combined impact and impetus on overseas Chinese architectural style in Guangdong and Fujian,