摘要
作家刘第红《白蝴蝶黄蝴蝶》中最为吸引人的,是它内含的三种对立性结构,即童真性与成人性的对立、审美性与功利性的对立、超越性与俗世性的对立。文章以结构主义理论来观照《白蝴蝶黄蝴蝶》的这种二极对立结构,深入开掘刘第红先生坚持"以审美消解功利,以艺术超越俗世"的文学主张对当今文学创作亦或是生命的意义,以及对当今中国人心灵净化的作用。
The most attractive part of the book "White Butterfly and Yellow Butterfly" by Liu Dihong, is its three kinds of dualistic opposite structure, namely, the antagonism between children's innocence and adult, aesthetics and utilitarianism, as well as transcendence and earthliness. By analyzing the dualistic opposite structure of the book from the perspective of structuralism, this paper attempts to explore deeply Liu Dihong's literary ideas of "dispelling the utilitarianism through aesthetics, transcending the earthliness through art", and its significance to current literary creation, life, and purification to the soul of the Chinese people today.
出处
《广州大学学报(社会科学版)》
CSSCI
2013年第2期92-96,共5页
Journal of Guangzhou University:Social Science Edition
关键词
刘第红
对立统一
童真性
审美性
超越性
Liu Dihong
unity of opposites
innocent
aesthetics
transcendentality