摘要
"吟叹曲"是汉乐府的一个歌诗类别,具有独特的演奏形式与艺术风格。曹魏以降,随着"相和诸调歌诗"的兴起,部分吟叹曲辞被分化、融入到"楚调曲"当中,成为相和诸调曲之一。其余仍然保留独立演奏形态的吟叹曲辞在宫廷乐部中的地位日有所降,古曲曲辞逐渐散亡。后世文人以吟、叹为题的乐府诗创作,深受汉魏两晋时期"吟叹曲"曲辞的影响。
"Yin Tan songs" is a kind of Yuefu poetry in the Han Dynasty,which has unique art form and playing style. With the rising and development of the Xianghe harmonious modes since the Wei Dy- nasty,pan of the "Yin Tan songs" had been merged into Chu melody songs and become one kind of the Xianghe tunes. Position of the rest Yin Tan songs decreased in the Aulic music,and the ancient songs gradually withered away. The Yin Tan songs of the Han,Wei and Jin Dynasties has a profound influence on the Yuefu poetry creation of later generations.
出处
《石家庄学院学报》
2013年第2期63-68,共6页
Journal of Shijiazhuang University
基金
韩国外国语大学支持的外国教授研究项目~~
关键词
乐府
叹吟
风格
悲情
Yuefu
Yin Tan
style
sadness