摘要
《玫瑰门》写于19世纪80年代中后期,《作女》写于新世纪初期,这两部作品都是典型的女性写作的文本,它们分别代表了两个时期女性发展的重要阶段,也即肖瓦尔特所说的"女权"和"女性"阶段。虽然艺术风格迥异,但是从女性意识的觉醒和女性自我发展的历程两方面梳理,《作女》与《玫瑰门》是一脉相承的,《玫瑰门》的女人们在努力挣脱"玫瑰之门",试图挤进外面的世界,《作女》的女人们则是在超越了"玫瑰之门"后走到了更远,遇到了另一扇"现代之门",并且试图完成再一次的超越。
The "Meigui Men" was written in the 1880 s, the "Zuo Nv" was write in the early new century, the two works are typical female writing text, they ~present respectively the two important period of women development. Shawaher once said as the "feminist" and "temale" stage. Although the art style are very different, but from the awakening of temale consciousness and women self development, the two works come down in one eontinuous line. One was trying to get into the "feminist" stage, while the other one was t^ing to get into the "female" stage . They keep making prog^ss on the way.
出处
《怀化学院学报》
2013年第2期68-70,共3页
Journal of Huaihua University
关键词
玫瑰之门
现代之门
女权
女性
meigui door
modernity door
feminist
female