摘要
本雅明抛开传统史学所关注的重大历史事件研究,从事微观的"拱廊计划"及日常生活研究,显示出本雅明研究视野的独特魅力。他运用"超现实主义"和"蒙太奇"等手法重现现代城市生活的本原,形成一种理解日常生活的诗学。本雅明在历史的"废弃物"和"垃圾"中表达一种日常生活理念及其现代性的批判,在传统历史经验贫困的现实生活中表达审美经验的现代性转变,凸显出其理论的诗学价值和意义。本雅明的日常生活诗学为当代研究日常生活理论及城市日常生活审美化提供了理论视野,并引发了人们对当代文艺审美空间的理论研究。
Instead of concerning about the major historical events like traditional historians, Benjamin engages in the unique micro Arcades Project and daily life study. He forms his poetics of everyday life by using "surreal" and "montage" and other techniques to reproduce the authentic modern urban life. Benjamin' s concept of a daily life and modern theory criticism are expressed by the historical "waste" and "garbage", showing a transformation of aesthetic experience to modernism in the lack of traditional historical experience in real life, which displays its poetics value and significance. Benjamin' s theory provides a theoretical vision for the study of poetics of the everyday life and urban everyday life aesthetic, and triggers our theoretical research of contemporary literary aesthetic space.
出处
《哈尔滨学院学报》
2013年第2期23-27,共5页
Journal of Harbin University
基金
梧州学院2011年度重点科研资助项目
项目编号:2011B015
关键词
本雅明
拱廊计划
审美经验
日常生活诗学
日常生活审美化
the Arcades Project
aesthetic experience
poetics of everyday life
aestheticization of everyday life