摘要
沈从文与郭沫若在20世纪30年代前后分别写下自传——《从文自传》和《少年时代》。在自传中,两人的审美取向、自我形象及对辛亥革命的叙写均表现出了不同:沈从文在自传中以"乡下人"自称,记录了包括他自己在内的湘西世界的生命形式,由此指向对人性的永久关怀;而郭沫若在自传中展现了一个"弄潮儿"在时代浪潮中的非凡经历,由此表现的是对政治的极大热情。
In the 1930s around, Shen Cong'wen and Guo Moruo have written their own autobiographies each, namely Shen Congwen' s Autobiography and My Boyhood. In their autobiographies they have showed the different in aesthetic view, self-image and narrative of the Revolution of 1911. In the Shen Congwen' s Autobiography, Shen Congwen calld himself "country folk" to record the life form, including his life experience in the Xiangxi' s world, from which refers to the humanity caring. However, Guo Moruo' s autobiography records the extraordinary experience of the era of "beach-goers", from which refers to the political nassions.
出处
《宜宾学院学报》
2013年第1期49-53,共5页
Journal of Yibin University
关键词
《从文自传》
《少年时代》
自传
文学
Shen Congwen' s Autobiography
My Boyhood
autobiography
literature