摘要
《穆天子传》塑造的穆天子形象纵横马上、巡行天下,追寻权力、财富、爱情和长生,超越了帝王的命运,也超越了以农耕文化为本的华夏正统儒家文化的范畴。从不同文化差异的角度看,它体现了游牧文化时期的英雄理想,而非农耕文化时期的帝王典范。这种文化间离性或许正是穆王在后世颇遭误解和非议的原因。
The Biography of the King Mu of Zhou created the image of the Son of Heaven Mu who is riding on a horse, traveling all over the world and looking for power, wealth, love and longevity. This image has surpassed the destiny of an emperor and is beyond the cultural scope of orthodoxy Confucianism which is based on the farming culture in ancient China. From the perspective of cultural difference, this image might represent the ideal of a hero belong to the era of nomadic culture, rather than a model of the emperor belong to the farming culture. This kind of cultural alienation explains the misreading and criticizing on this work in later generations.
出处
《南京师范大学文学院学报》
CSSCI
2013年第1期23-27,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
2010年度国家社会科学基金青年项目<<穆天子传>的文化阐释>(编号:10CZW018)
关键词
《穆天子传》
巡狩
游牧文化
The Biography of the King Mu of Zhou
cruising and hunting
nomadic culture
