艳情与艳笔的离合:论南宋艳词与咏物词的交融

The Separation and Reunion of Erotic Feeling and Erotic Description:On the Fusion of Erotic Ci Poems and the Things Chanting Ci Poems in the Southern Song Dynasty

艳情和咏物是词体发展中最重要的两种创作类型,在南宋时呈现出交融的创作态势,主要有三种类型:一是以艳笔来咏物,主要体现在咏花之作中。二是借咏物抒发艳情。这类词在表达男女之情尤其是相思离别时,并不直接用艳语而是借咏物来传达,以姜夔咏梅、咏柳词最为典型。三是咏物与艳情交叉重叠。这类词以艳笔咏女性身体、女性物品,或所咏之物与女性活动不可分割。艳情与咏物互相交融的创作倾向,不仅是词体本色特质的反映,同时也是词体雅化的重要表现。

Erotic Ci and things chanting Ci are two major types in the development of Ci Poems. And the two demonstrate a trend of fusion in the Southern Song Dynasty, which can be summarized as the following three forms： 1. using erotic description to chant things, especially to chant flowers. 2. Chanting things in or- der to express erotic feelings, in which the love between men and women is not expressed directly in erotic lan- guage but delivered through the chanting of things. The typical sample can be found in Jiang Kui＇ s Ci poems chanting plum blossom and willows. 3. Chanting things and erotic feeling are mixed together, usually involves description of female body, female stuffs and female activities. The trend of the fusion of erotic feeling and chanting things is not only a reflection of the essence of the Ci poem, but also an important manifestation of the elegancy of the Ci as a literature zenre.