摘要
在上个世纪50年代初期文艺界大规模的思想改造和批判运动中,一些作家文艺家通过"检讨书"的方式完成了对以《在延安文艺座谈会上的讲话》为核心的毛泽东文艺思想的接受和阐释,"检讨书"因此成为《讲话》接受、阐释史上的一个重要环节和关节点。作家文艺家们的检讨书主要集中在《讲话》中所确定的关于立场问题、工作对象问题两个方面。通过检讨,作家文艺家们不仅有效地接受了这样的原则和规范,而且在某种程度上来说,经过阐释,也是对《讲话》中的这些原则和规范的强化与发展。
In the massed movement of thought reforming and criticizing in the art and literature circle in 1950s, some writers and artists completed their reception and interpretation to Mao Zedong' s thought of art and literature embodied in his Talks at the Yan ' an Forum on Literature and Art through their "self - criticism letters". Therefore, their "self- criticism letters" should be considered as an important part and coila in the history of the hermeneutics of the Talks. The "self - criticism letters" of the artists and writers concentrated mainly on two issues, i. e. , the issue of stance and the issue of working objects, which was cleared in the Talks. By "self - criticism", the artists and writers not only have effectively accepted but also in a sense en- hanced and developed those principles and regulations in the Talks through their interpretation.
出处
《南京师范大学文学院学报》
CSSCI
2013年第1期113-117,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
2010年辽宁省创新团队项目(编号:WT2010001)
关键词
检讨书
《讲话》
接受
阐释
self - criticism
Talks
reception
hermeneutics