浸润空气的温情——浅析影片《桃姐》

The Warmth of Infiltrating Air

当今商业大片充斥电影市场,许鞍华导演的影片《桃姐》似一缕清新之风,让叙述隐于生活,以平实自然的叙事手法与平和冷静接纳生活的态度,塑造出一对凌驾于母子、主仆关系之上的含蓄温情、亲切动人的人物形象,使观众于最平实的生活记录中寻找记忆中的影子,于平静体味生命的进程,让我们在商业气息浓重的今天为情所动。影片以一种相对隐忍克制的镜头语言,还原电影记录现实生活的本质,还原生活本来的面目,通过润物细无声的情感让观众自己去体会人与人之间的那份亲情与感恩,感而不伤,温情涌动。

Nowadays, the movie market is filled with the commercial films （Tao Jie）, directed by Xu An-hua, like a wisp of pure and fresh wind, with the naturally narrative skills and the calm acceptance attitude o towards life, lets the narrative implicit in life, features a pair of tender and moving character, whose ralationship above the mother and child, above the master and servent implicit warmth. The record of daily life recalls audience＇s memory and appreciation of the process of life, deeply touched by the movie in this commercial world. With the relatively restraint lens language to construct film, movie＇s recording function and the essence of real life are reduced. Through the silent emotion the audience feel a sense of family affection and gratitude between Tao Jie and Rojer. It surge of warmth, without hurt.