影响的焦虑:现代新诗中绘画美的困境

The Anxiety of Influence:Dilemmas of Painting Beauty in Modern New Verse

中外诗词的辉煌成就使得现代诗人产生了"影响的焦虑",新诗中的绘画美一定程度上陷入了困境。陈旧色彩意象的化用、拼凑、色彩隐喻文化的直接使用和古诗词的穿插不仅使得现代新诗中的色彩美失去了新鲜感,还造成了过度的感伤之情。线条意象的化用也是如此,斜线、细线、枯线、残缺之线的大量使用给新诗蒙上了过于浓郁的感伤和颓废,妨害了诗情的现代表达。构图美方面,中外诗词的强大影响使得郭沫若新诗中的画面形成了强烈的冲突,闻一多等人新诗的画面过于满与实,从而失于和谐统一。

The glorious success of Chinese and foreign poetry has led to modem poets＇ s ＂anxiety of influence＂, thus somewhat plighting the painting beauty of modem verse. The use and patch of stale color images, the direct utilization of color metaphoric culture and the interspersion of traditional poems have not only caused the color beauty of modem verse to lose its freshness but also led to excessive sentimentality. The same can be said of line images, for the excessive use of oblique lines, filaments, dry lines and incomplete lines has tinted new verse with extremely distinct sentimentality and decadence to the point of hampering the modem expression of poetic emotions. As regards the constitutional beauty, the powerful influence of Chinese and foreign poetry has led to an intense conflict in the picture of Guo Moruo＇ s new poems and to a full and solid but unharmonious and disunited picture in the new poems of Wen Yiduo and others.