摘要
由民间视域审视周星驰作为标志的无厘头电影认为:无厘头的由来属于岭南文化佛山民俗用语,其电影类型深深扎根民间的故事传说、功夫侠义、才子佳人、清官情结等文化传统,从影片人性的立体建构、对白的草根特质、结局主题的圆满诉求维度来看,又体现了审美的民间性。
By scanning reasonless movies typified by Stephen Chow, it is discerned that reasonlessness is a folk term in Fushan of Guangdong, and that movies of such a genre are deeply rooted in such cultural traditions as folk tales and legends, martial arts and chivalry, love stories between gifted scholars and beautiful ladies, and the complex of honest and upright officials, etc. Moreover, the civil nature of aesthetics can also be highlighted in terms of the stereoscopic composition of humanity, the grassroots traits of dialogues, and the appeal for a happy ending in those movies.
出处
《海南师范大学学报(社会科学版)》
2013年第1期95-98,共4页
Journal of Hainan Normal University(Social Sciences)
关键词
周星驰
无厘头电影
民间文化
审美
Stephen Chow
reasonless movies
folk culture
aesthetics