李白“古乐府学”及其批评史意义

Li Bai's "TAFSBHD" and its meaning in the history of criticism

以创作古乐府而著称的诗人李白,其"古乐府学"之于乐府诗批评史,是一笔丰富的文化遗产。李白"古乐府学"的内涵,主要表现在四个方面:注重本事把握,内容推陈出新,拟题求变求新,体式以古为主。其除改变了当时乐府诗坛的"趋律"文风外,还拉近了古乐府与新乐府的距离,并于唐及其后的古乐府创作产生着深远影响。对于建构唐代乐府诗批评的理论体系,也极具助益。

Famous for writing ancient fork songs and ballads in the Han Dynasty(AFSBHD),Li Bai created his 'theory about ancient fork songs and ballads in the Han Dynasty'(TAFSBHD),which has become a colorful part of cultural heritage.The connotations of his theory can be seen in four aspects: paying attention to the incidents,weeding through the old to bring forth the new,striving for originality and change,and relying mainly on the ancient style.It not only changed the then literary style of 'going with the lü(ancient Chinese standards of poetic regulated pattern)',but also shortened the distance between the new ancient fork songs and ballads and the old ones.Moreover,it produced a far-reaching impact on creating AFSBHD in the Tang Dynasty and the dynasties to come and helped to construct the theoretical criticism system of folk songs and ballads in the Tang Dynasty