摘要
中国当代戏剧,从深受西方影响到艺术的自觉,经历了相当一段时间,但艺术自觉之后,要让艺术凭着自身特点赢得市场,更加需要长时间的探索和实验。"MM时代"的戏剧家牟森和孟京辉,有了从诗到戏剧的尝试,让他们的《零档案》和《镜花水月》,具有了诗一样的语言、生动的想象、寥廓的意境、深刻的情思等诗歌审美共性。
China' s contemporary drama has experienced a quiet long time from the effects of the Western to its self - consciousness of art. After this, intending to win the market with its own characteristics, it needs more time for exploration and experiment. In the MM times, Mou sen and Meng Jinghui have a trial from po- etry to drama, which forms the language, image, prospect and affection of their drama the File of Zero and the Flowers in the Mirror, Moon on the Water.
出处
《海南广播电视大学学报》
2013年第1期6-10,共5页
Journal of Hainan Radio & TV University
关键词
诗
戏剧
语言
想象
意境
情思
Poetry
Drama
Language
Image
Prospect
Affection