摘要
"清浊"是中国文化的基本命题。这一命题萌芽于气论,在两汉以"轻清重浊"构成审视天人关系的基本视角,又在汉晋人物品鉴中得到广泛应用,逐渐定性为"清贵浊贱"的依据,被确立为分辨优劣的重要标准。之后,受到"文如其人"观念的影响,"清浊"成为文学品评的理论命题。
Qing(清,Limpid) and Zhuo(浊,Turbid) are essential terminologies in Chinese culture.Based on the theory of Qi(气,air literally and extended to describe spiritual quality),the concepts Qing and Zhuo were broadly used to assess people's personal character during Han and Jin periods.In such a progress,Qing was taken as a major positive quality of a person while Zhuo became its opposite.In their later development,Qing and Zhuo were extended to evaluate quality of literary works.
出处
《古代文明》
CSSCI
2013年第2期95-104,114,共10页
The Journal of Ancient Civilizations
基金
国家社科基金项目"秦汉国家建构与中国文学格局之初成"(12BZW059)成果之一