天花藏主人与曹雪芹创作思想比较

Comparison of Creation Thoughts Between Tianhuacangzhuren and Cao Xueqin

天花藏主人是明末清初才子佳人小说作家中的代表,《玉娇梨》、《平山冷燕》为其代表作。由于《玉娇梨》、《平山冷燕》与《红楼梦》创作的时间相距不远,因而天花藏主人与曹雪芹有相似的创作文化背景和时代氛围,他们都以自己的作品表现出了对时代文化思潮的推动与反拨。天花藏主人以纯净的才子佳人小说引领了一批纯情小说的出现,其对"才女"的表现,颠覆了传统写作中对女性形象并不完全真实的界定和表达,对才美女性以正面积极的姿态进入文学视野有着重要的意义。而曹雪芹以《红楼梦》彰显了自身爱情观念的变化以及更为丰厚的文化积淀与人性内涵。在创作目的与创作心理上,二者均表现了其所置身的现实生活与人生理想的错位,曹雪芹则以《红楼梦》的悲剧结尾凸显了社会历史文化之真实与人生际遇之间不可调和的矛盾。

Tianhuacangzhuren is the representative novelist on talented scholars and beautiful ladies and Yujiaoli and Pingshanlengyan are his representative works. Their creation time is not far from The Dreams of Re＇d Mansions, so he and Cao Xueqin have the similar cultural background and time atmosphere of creation, as a result of which they lead and correct the cultural tendency by the means of creating novels. With pure novels about tatented scholars and beautiful ladies, Tianshancangzhuren leads the flourish of pure romance novels. His description of talented ladies overthrows the female＇ s images in traditional novel creation, which is significant for the positive description of ladies in literature. On the other hand, Cao Xueqin manifests his change in love concept and more colorful cultural accumulation and human nature in The Dreams of Red Mansions. In the aspect of creation purpose and psychology, both of them express the misplacement of reality and dream. Furthermore, the tragedy of The Dreams of Red Mansions shows the irreconcilable contradiction between society and personal fate.