艺术人类学视野下彝族花鼓舞的现代性复兴

On Modern Revival of Yi People's Drumming Dance from the Perspective of Anthropology of Art

在过去的30年里,峨山彝族花鼓舞在形式和内涵上发生了一系列的变化,从一种传统的丧舞变为一种地方大众娱乐文化和文化资源,在这过程中,其宗教性、封闭性被打破,开放性和社交性得到增强,从而将地方与国家、边缘与主流、大传统与小传统、传统与现代等有效地联系在一起。其复兴过程就是社会整合和文化创新的过程。

In the past 30 years, Eshan Yi People＇s drumming dance has undergone many changes on the form and content. It has developed into a popular entertainment culture and a cultural resource from a funeral dance. In this development process, its closed culture and religious content has been reduced with its open content and social culture increase. Local and national, minority culture and mainstream culture, great tradi- tion and little tradition, tradition culture and modem culture have been interacted with each other. This development is the culture integration and the cultural innovation process.