摘要
苏轼艺术创作的形神观主要是由"赋形""传神""意气"等组成,苏轼对神的观照是建立在形的基础上,他突出的贡献有两点:一是从气化形神到艺术形神动态转化过程中,苏轼以自身艺术创作实践发挥了重要作用;二是将"神"意化和韵味化。苏轼"文人画"主张是这一理论的具体体现,同时揭示了诗情画意的审美理想是苏轼对"形"与"神"的最高追求。
SU Shi's "XING and SHEN" conception of art creation includes "shaped", "spirituality", "meanings". In this field,Su Shi has two outstanding contributions: on the one hand,from the gasification to the art dynamic conversion process,SU Shi's own art practice plays an important role in. On the other hand, letting "spirit" implicitly and poetic.And his "Literati painting'is the representation of his thought on XING and SHEN.
出处
《乐山师范学院学报》
2013年第3期17-22,共6页
Journal of Leshan Normal University
关键词
苏轼
形神观
意韵化
文人画
诗情画意
SU Shi
Conception of XING and SHEN
Implicit
Literati painting
poetic