摘要
通过对建筑风水起源,图腾形象在原始部落的发展以及星象学、人类学等多方面的研究,分析了在中国古代建筑风水理论中作为符号存在的一些图腾的特殊意义,使中国传统的风水文化能够被现代建筑设计理论更加多方面的接收和包容。
Through a basic approach for rootstock of geomantic omen in ancient Chinese architectural,development of totem images that were in the primitive tribes and astrology,anthropology analysis,we have learned some totems have special significances as exist symbols of ancient Chinese architecture geomantic omen theory.The traditional Chinese architecture geomantic omen culture can be received and included through various means by modern architectural design theory.
出处
《山西建筑》
2013年第12期27-28,共2页
Shanxi Architecture
关键词
风水
图腾
方位
四象
geomantic omen
totem
orientation
four-quadrant