世界文学视域中的莫言本土文化寓言

Mo Yan's Native Cultural Fable in the Context of World Literature

莫言以故乡"山东高密东北乡"为原型的小说,超越了一般意义的乡土文学,进入世界文学体系,创建了属于他自己的"文字的世界共和国"。肉体残酷暴力与"倒错性欲"的结合是福克纳小说的一种重要母题,再现这一母题的是一种隐喻性的心理语言。莫言更多的是对导致这种变态心理的文化语境的批判,由此使他的小说成为第三世界寓言的重要例证。莫言创造出一种以"地方世系"为核心的叙事模式,但与福克纳不同,莫言对意识流与神话的叙说却明显地带有齐鲁神话的特点。通过对这三个方面的分析,看出莫言创造了本土化的叙事话语,通过一种魔幻性叙事的语言,莫言成为通向"世界文学史"的桥梁。

MoYan created his own world republic of the text, and went beyond the general sense by the description of Shandong Gaomi Northeast Township. Brutal ph combination of the perversion of sexuality is an important motif in Faulkner＇s novels, native-soil literature in ysical violence, with the as it is the psychological analysis language in Mo Yan＇s novels.But Mo ＂fan much more criticized the cultural context which caused the abnormal mentality, and it is the important illustration of the parable of the Third World. Mo Yan created the narrative mode focused on family members, with the feature of Qilu Myth when he narrated the flow of consciousness and myth which is different with Faulkner. By analysis of the three aspects above, Mo Yan created not only the colorful life constituted by the habits, psychology, language, history and feelings of our nation, but the works express and react the life with his own unique feeling, and Mo Yan has become the bridge leading to the history of world literature.