摘要
陶东风坚持反思当代中国文艺理论的发展现状,有意味地纳入西方当代社会学和后现代文化理论的思想资源,考察文艺学知识建构的复杂社会场域及其各种关系因素与权力网络。他以清醒的立场和批判的姿态介入当下中国现实,透过杂色纷呈的话语谱系与思想交锋,图绘当下中国文化现实的种种症候,并试图通过解密文化症候的话语机制和社会情境,询唤真正意义上公共知识分子的出场。
Tao Dongfeng has kept on reflecting on the contemporary development of the literary theory in China: consciously absorbing the thoughts of present western sociology and post-modernism,and observing the complex social fields in which literary knowledge is constructed,and the relation between various factors and power network.With a firm stand and criticism posture,he has depicted the syndromes of the actual Chinese cultures by penetrating into the kaleidoscopic discourses and conflicting thoughts,and tried to call on the presence of public intelligentsia in their true sense by interpreting the cultural syndromes’ discourse mechanism and social context.
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2012年第6期93-98,共6页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
新疆大学博士启动基金项目"重估‘文化’的位置--英国文化主义研究"(BS120221)
关键词
文艺学
建构主义
文化批评
语境适用
公共性
Literary Study
Constructivism
Cultural Criticism
Context Adaptation
Public