《文心雕龙》的“新批评”理论性质研究

The Study of the Theoretic Nature of The Literary Design(Wenxin diaolong)in Terms of New Criticism

"东海西海,心理攸同;南学北学,道术未裂",人类在文学研究中,会遇到很多共同问题,仅用单一的民族文化视野来考察本国文学是难以洞察文学的本质的。本论文运用比较诗学的方法从文本观、语言观、批评方法三个方面来探讨《文心雕龙》的"新批评"理论性质。

Just as QIAN Zhongshu noted, ＂The mentality of human beings is similar without the discrepancies between the western culture and the eastern culture whereas the methodology seems similar without the divergence between the scholars from at home and abroad.＂ In the field of literary theoretic research, different nations will encounter quite a few common issues, which reflect the essence of literature and are hard to be studies thoroughly only from the unitary perspective of one nation＇s domestic literature without any reference to other nations＇ perspectives in the literature of the world. In the thesis the theoretic nature of The Literary Design （Wenxin diaolong） is explored in terms of the following three aspects of textual viewpoints, linguistic ones and the methods of criticism by using the methodology of comparative poetry.This paper use the method of comparative poetics from text view, language view, critical methods in three aspects to discuss ＂wen-xin-diao-long＂ of the ＂new criticism＂ theoretical properties.