论宋代艳情词中的寄托

On Depositum in Traditional Erotic Ci of Song Dynasty

词以艳情为本体特色,描写女性或男女情感的作品在词史中一直处于主流地位。寄托是中国古代文论中的重要范畴,在词体中亦有所体现。就艳情词而言,其创作在北宋时期达到顶峰,这一时期词人多把羁旅行役等身世之感打并入艳情中。南渡之后,随着词体地位提升以及表现内容的扩大,许多词人,尤其是以辛弃疾为代表的爱国词人,越来越多地借助儿女之情来寄托家国之思及个人忧愤,使艳情词与寄托手法的融合达到一个新高度,不仅为通俗、轻浅的艳情词增添了几分深沉与蕴藉,并引起后世词论家及词人的关注,对推尊词体产生了深远影响。

The erotic ci which describes women or male and female emotion is regarded as ＂the true quality of ci in ci history of China. Depositum plays a vital role in the history of Chinese hterary theory. Erotic ci made a great achievement in North Song Dynasty. Then in South Song Dynasty, many patriotic poets better combined erotic ci with depositum measure, which drew attention of later generations.