摘要
抗日战争爆发后,政治意志开始强势介入到民间小戏,进而渗透到乡村社会。边区政府对民间小戏的改造成为国家的政治诉求,本该再现乡村社会的多元图境和反映乡村民众真实想法的民间小戏在革命话语的主导下其结构及内容方面发生翻天覆地的变化,民间小戏的娱乐功能开始向政治教化功能转变。本文以抗战时期陇东革命根据地的民间小戏为考察对象,着重分析了革命话语下民间小戏改造及其功能的转变,以期揭示政治、民间小戏及乡村社会三者互动图境。
After the outbreak of the Sino-Japanese War, the political will strongly start the involvement of the folk opera, and then penetrate into the rural society. The transformation of folk opera is the Border Region country's political aspirations, The folk dramas of the multiple map reproduction of the rural social environment and reflect the rural people a true idea of folk opera under the auspices of the revolutionary discourse of its structure and content has made earth-shaking changes, entertainment features to the function of political indoctrination. Folk opera of the war period Longdong revolutionary base for the inspection object, analyzes the transformation of folk drama transformation of revolutionary discourse and its functions in order to reveal the political folk opera and the rural society of the three interactive maps environment.
出处
《贵州文史丛刊》
2013年第2期45-49,共5页
GUIZHOU CULTURAL AND HISTORICAL JOURNAL
关键词
民间小戏
政治教化
陇东抗日根据地
国家和乡村社会
folk operas
political indoctrination
Longdong anti-Japanese base areas
national and rural society