论《红楼梦》与神仙思想

On A Dream of Red Mansions and Immortals Thought

曹雪芹在创作《红楼梦》的过程中吸收了丰富的神仙思想及其象征性元素,并对之进行了想象性和艺术性的再创造,拓展和深化了神仙思想的审美尺度和思想内涵。曹雪芹借仙山、乐园和游仙等神仙思想及其信仰的各种文化因子,建构了全书整体的叙事框架和结构模式,形成了独特的情感氛围和价值取向。在对待神仙思想的态度上,曹雪芹既批判了神仙思想中虚幻、荒诞和偏颇的成分,也对神仙思想所倡导的独立自由的精神世界充满向往,成为其塑造环境和人物形象的内在动力。《红楼梦》既赋予神仙思想以审美色彩,同时也提升了自身的艺术价值。曹雪芹吸收神仙思想中的积极因素进行创作与民族文化心理有关。

In the process of creating the novel （A Dream of Red Mansions） , Cao Xueqin has absorbed abundant symbolic elements of immortals thought, and carried on the imagination and artistic recreation, expanded on and deepened the ideological connotation and aesthetic value of immortals thought. Cao Xueqin has borrowed the mount, park, and a variety of cultural factors of immortal belief to construct the narrative framework and structural model of the book, form a unique emotional atmosphere and value orientation. On attitude about immortals thought, Cao Xueqin has not only criticized the unreal and absurdity of immortals thought, and also full of yearning to the independent and free spirit world of it, become the inherent power on shaping the environment and characters. The novel gives to aesthetic color about immortals thought, and enhances their artistic value. Cao Xueqin＇ s practice reflects our national culture psychology.