期刊文献+

从《柏勒罗丰》看约翰·巴斯对神话想象与现实的双向超越

John Barth's Dual Transcendence of Mythical Imagination and Reality from the Perspective of Bellerophoniad
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摘要 《柏勒罗丰》是约翰·巴斯的一部中篇小说,也是他重述古代神话的一部代表作。作者以一种元小说式的叙述方式,首先解构了人物的自我同一性,使之自我指涉、自我相关而形成一种张力,由此联结起古代与现代、神话世界与现实世界、英雄与普通人,从而进入到对历史书写与现代人危机的深刻反思,并在对英雄模式的质疑中实现了对神话想象和现实的双向超越。 Bellerophoniad is the masterpiece of John Barth, which re-tell the ancient myths. John Barth used the narrative mode of metafiction,deconstmcted the character identity to form a kind of tension between self-reference and self-relevance. This novel connected ancient world and modem world, mythological world and the real world, heroes and ordinary people. Therefore, it gets into the profound reflection of historical writing and modem crisis. John Barth also doubted that the hero mode could transcend both mythical imagination and reality.
作者 马汉广
机构地区 黑龙江大学
出处 《外语学刊》 CSSCI 北大核心 2013年第2期131-136,共6页 Foreign Language Research
基金 黑龙江省社科基金项目"后现代语境下的文学观念研究"(11B034)的阶段性成果
关键词 柏勒罗丰 元小说 个人危机 面具 模式 Bellerophoniad metafiction individual crisis mask mode
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参考文献6

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二级参考文献15

  • 1Robert Scholes, The Fabulators, London: Oxford University Press, 1967, p. 142.
  • 2F. W. J. Von Schelling, Introduction to the Philosophy of Mythology , trans., J. Verlag,Stuttgart and Augsburg, 1856, p. 23. Ernst Cassirer, The Philosophy of Symbolic Forms,Mythical Thought, trans., Ralph Manheim,New Haven: Yale University Press, 1955, p.22.
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  • 6Gerald Graff, " The Myth of Postrnodemist Breakthrough," in The Novel Today :Contemporary Writers on Modern Fiction , pp.217-249.
  • 7Joe David Bellarny, in The New Fiction:Interviews with Innovative American Writers ,Urbana: University of Illinois Press, 1974, pp.134-150.
  • 8Stan Fogel and Gordon Slethaug, Understanding John Barth, Columbia, S. C. : University of South Carolina Press, 1990, p. 135.
  • 9《维吉尔:埃涅阿斯纪》,杨周翰译,北京:人民文学出版社,1984年,第123—133页.
  • 10Joseph Campbell, The Masks of God: Occidental Mythology , New York: Penguin, 1991, p. 21-22.

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