摘要
冯小刚导演筹备多年的影片《一九四二》在2012年贺岁档推出,引起广泛关注。本文聚焦2012年的社会语境,从受众社会心理角度分析该片遭受票房尴尬的原因,解读了影片民族影像记忆在历史与现实交汇中的意义。
The film Back to 1942 directed by Feng Xiaogang attracted great released at the end of November 2012. This paper focuses on the social context of the the reasons of its box office failure in the view of social psychology, and interprets significance of the national image memory and the convergence of history and reality it attention since it was year of 2012, analyzes the characteristics and shows.
出处
《北京社会科学》
CSSCI
北大核心
2013年第2期36-39,共4页
Social Sciences of Beijing