摘要
90年代以来,韩国电影中反映朝韩之间间谍类题材的作品比较丰富,本文以金宰洪导演《丰山犬》为文本,回顾了韩国间谍电影创作的转化原因,详细分析了《丰山犬》电影中对间谍"丰山犬"人物的塑造手法。通过对剧中"丰山犬"人物形象的分析,透视韩国间谍电影创作的新型叙述的策略。
Since 1990s, there have been abundant movies reflecting espionage in South Korea and North Korea. This paper is to review reasons of thematic change in espionage movies produced in South Korea from the movie Fengshanquan directed by Jin Zaihong and to analyze in detail the characterization of Fengshanquan in the movie. By the analysis of the image of Fengshanquan in the movie, the paper is going to examine tactics applied in the new narration in South Korea spy movies.
出处
《萍乡高等专科学校学报》
2013年第1期55-57,共3页
Journal of Pingxiang College
关键词
间谍
身份
国家
民族神话
spy
identity
nation
national mythology