摘要
中国戏曲的整体性衰退以仪式衰落为表征,而春晚是新仪式的核心构建,仪式催生剧种的原则决定了春晚必然具备新剧种的成色。春晚和所有戏曲种类一样,源于氏族社会的种族庆典仪式,并由此而进化为一种电视传播形态的世界级的礼仪性、季节性、娱乐性和民族性的庆典活动。春晚维持着丑角为尊的理想。丑角是春晚以及戏曲中安全感的保障,丑角的缺失或丑角讽谏强度的弱化,都会削弱春晚和戏曲的结构平衡性。戏曲唱腔一直和自然声响、神谕想象以及人类的进化竞争相关联,戏曲归入艺术门类后,导致了戏曲唱腔的基因变异和机制破坏,而春晚则一直在重构这种歌喉之妙的本源性机制。戏曲一度融合过情歌和颂歌,而情歌的原始生发点是情人之间释放娇媚感的产物,而颂歌的本源则是人类乃至哺乳类动物幼体对母体的感恩欲望而最终形成的声音合成。春晚的综合性、程式性、虚拟性都和传统戏曲一脉相承,春晚因此已成为一种具备了完整的戏剧学意义的新的戏剧品种。
The decline of the Chinese opera is with traditional ritual recession and The CCTV Spring Festival Gala is the core of the new ritual. The CCTV Spring Festival Gala as a ritual originated in the racial ritual of clan society and has developed as a world-class celebration TV program. The CCTV Spring Festival Gala respects the principle for clown first and the clown is the security guarantee between the opera and The CCTV Spring Festival Gala. The lack of the clown or its strength weakening will weaken the structure balance between the opera and The CCTV Spring Festival Gala. Opera singing has been the natural sound and full of imagination and associated with the human evolution competition. The opera into art categories of the Soviet Union type system has damaged its singing gene and The CCTV Spring Festival Gala has been rebuilding its ecological system. Love songs and carols are the products of competition in flattering in love condition and Thanksgiving of getting the mother's love. The CCTV Spring Festival Gala has inherited opera's tradition and has become a new ooera twe.
出处
《江南大学学报(人文社会科学版)》
2013年第2期123-128,共6页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
央视春晚
式兴替
丑角至上
唱腔生态
综艺教化
CCTV Spring Festival Gala Ritual Change Clown First Singing Ecological Variety
VarietyEnlightenment