摘要
俄国流亡作家伊凡·布宁凭借复杂的人生体验,多种艺术手法的交互运用,在小说中塑造了一系列极富悲剧性的人物形象,也营构出一种悲剧性的叙事空间和极其诗意化的氛围。从主体间性美学视域来看,布宁小说在传达着一种平等精神和宗教情怀的同时,也使小说的悲剧性叙事意义获得提升和超越,从而在自觉与不自觉之间,架起了一条由文学通达哲学、美学的道路,进而呈现出复杂性、融汇性内蕴。
The Russian exile writer Ivan Bunin not just portrays a series of extremely tragic characters with complex life experience via the interaction of a variety of art practices, but also forms a kind of tragic narrative space and very poetic atmosphere in the novels. Viewed from perspectives of intersubjectivity aesthetics, Bunin＇ s novels convey a kind of equal spirit and religious feelings. Meanwhile he upgrades and transcends his novels＇ tragic narrative meaning and sets up an access from literature to philosophy and aesthetics consciously and unconsciously, thus showing an intrinsic complexity and compatibility in them.
出处
《河南工业大学学报（社会科学版）》
2013年第1期117-122,共6页
Journal of Henan University of Technology:Social Science Edition
基金
2012年河南省教育厅人文社会科学研究项目(2012-QN-013)
关键词
主体间性美学
人物
自然
死亡
爱情
悲剧性空间
＂intersubjectivity.aesthetics＂
Character
nature
death
love
tragic narrative space
