台州乱弹与越剧的艺术特色及发展轨迹的比较研究

A Comparative Study on Taizhou“Luantan”and Shaoxing Opera

台州乱弹与越剧在台州地方文化中具有突出的地位和特殊的关系。较之越剧的柔美抒情,偏重历史题材的台州乱弹具有雄健质朴的艺术风格。其多声腔演唱的特点、真假嗓结合的发声方法以及注重程式的表演形态、粗犷热烈的音乐风格等都迥异于清婉柔美见长的越剧,是其独特的艺术魅力之所在。台州乱弹深受传统文化的浸染,既有淳朴的质性,也有狭隘保守的心理弱点,在新的发展时期,必须正视接受群体断档、演出市场萎缩的严峻形势,学习越剧顺应时代、开放进取的精神,积极应对,自觉承担文化传承的历史使命。

Taizhou ＂luantan＂ and Shaoxing Opera take outstanalng ship in Taizhou local culture. While Shaoxing opera express soft emotion, Taizhou ＂luantan＂ express powerful and energetic emotion on historical events. Its unique artistic charm is reflected on varied tunes, true and false voice, paying attention on patterned performing style and warm music, etc.. Due to deep influence of traditional culture, Taizhou ＂luantan＂ has laendlich nature but narrow and conser- vative philosophy. Facing severe performing market in new development epochs, Tiazhou ＂luantan＂ should learn from Shaoxing opera as conforming to the times with open go-aheadism, and undertake historical mission of cultural heritage.to deep influence of traditional culture, Taizhou ＂luantan＂ has laendlich nature but narrow and conser- vative philosophy. Facing severe performing market in new development epochs, Tiazhou ＂luantan＂ should learn from Shaoxing opera as conforming to the times with open go-aheadism, and undertake historical mission of cultural heritage.