在音乐的声音中究竟能够听出什么?——关于音乐美学与音乐学写作的教学、科研以及学科建设的工作笔记

What Can We Really Hear in Musical Sound?

感官临响让我们获得声音经验。事实层面,究竟能否还原没有任何声音经验的感官去面对声音存在自身?感官记忆→直觉意识→感性认知,能否形成一种可进行逻辑衔接的规模结构?由此,是不是可以这样认为,和仅仅给人看的时装一样,仅仅给人听的声音,只是为了满足人的纯粹听觉感官及其感性愉悦;因此这样一种音乐中的声音是标示一种时尚文明、是给出一个艺术承诺、或者直接就是先验存在?于是可以这样认为:艺术本身是一个东西,并且,惟有通过直观的感性体验。先验声音通过人的情感的声音存在这个环节变成音乐向人展现,进而,音乐通过意向设入之后变成意义向人显现,除此之外的另一端,则是通过声音修辞的音响叙事进一步成就音乐的结构意义向人呈现。

The sound of a life concert lets us gain first hand experience to our ears.Sensory memory,direct awareness,and perceptual cognition,can they all form the logical and connectable structure? Can we assume that the function of the sound that is for to be listened,just as fashion is only to be seen,is to satisfy the pleasant experience of our ears? Does this kind of musical sound indicate a type of fashionable civilization,or does it provide an artistic promise,or had it been in existence all along at the first place?