摘要
"文革"时期北京的音乐演出作为社会音乐生活的重要组成部分,既不像某些文论中寥寥几笔带过的落寞,也不像一些普通观众记忆中火热的群众文艺演出那么喧闹。它经历了"文革"政治的跌宕起伏,它目睹了音乐工作者"带着镣铐起舞"的身影,它见证了"文革"文化专制主义的恶劣影响和正义力量对它的抗争。
Music performances in Beijing during the Cultural Revolution(1966-1976) were an important part of the cultural life of that city.They were neither scattered as some believed nor dramatically abundant as others argued.The performing activities witnessed the rollercoaster-like nature of the Cultural Revolution as a fierce and large-scale political movement in which musicians 'danced with their handcuffs on' under the cultural totalitarian rule,and the artists’ resistance against it.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2013年第1期91-96,202,共6页
Journal of Nanjing Arts Institute:Music & Performance
关键词
“文革”
北京
专业音乐演出
Cultural
Revolution,Beijing,music performance