摘要
文章从听诗歌为纯声音、再现特征是否可以直接感知、"触觉价值"理论三个方面论述沃尔海姆的艺术表象理论,说明艺术家的艺术创造不仅涉及到旁观者,而且涉及到批评者。
This paper aims at commenting Wollheim's presentational theory based on the three aspects of representing the poems as pure sound,whether the representing features be directly sensed or not and the"tactile value".A conclusion is made that the artistic creation of artists involves not only bystanders but also critics.
出处
《唐山学院学报》
2013年第2期17-19,44,共4页
Journal of Tangshan University
关键词
沃尔海姆
“表象理论”
再现特征
“触觉价值”
Wollheim
"the presentational theory"
representing features
"tactile value"