中国钢琴音乐的“中国风格”

The "Chinese Style" in Chinese Piano Music

以"民族化"为主线而追求"中国风格",是推动中国钢琴音乐发展的源动力,体现了中国作曲家的文化身份意识。中国钢琴音乐的"中国风格"是一个复杂的混合体,具有民族风格、地域风格、流派风格乃至时代风格的某些特征。"中国风格"很难准确界定其内涵,但已经成为中国钢琴音乐在世界音乐艺林的一种民族文化身份标签,其发展主线可概括为从"形"到"神"的一种扬弃过程,体现了"传统的抽象化"。中国钢琴音乐的"风格参照"问题、"缺乏统一的风格感"问题、中外钢琴音乐中的"中国风格"比较之感悟以及对中国钢琴音乐发展的若干思考,也是本文讨论的话题。

That to pursue ＂Chinese style＂ with nationalization as the main line,is the source power to promote the development of Chinese piano music,embodied the sense of cultural identity of the Chinese composers.The ＂Chinese style＂ of Chinese piano music is a complex mixture that possesses the features of the styles of national,regional,genre,and even the times.It was difficult to define precisely connotation of ＂Chinese style＂,but it has become a national cultural identity label of Chinese piano music in the world music field,its main line of development could be summed up as a process that develop the useful and discard the useless from ＂similar＂ to ＂alike in spirit＂,which embodied ＂traditional Abstract＂.Those issues of that ＂style references＂ of Chinese piano music,＂the lack of an unified sense of style＂,the inspiration of comparing ＂Chinese style＂ of piano music in both of China and foreign,as well as some ideas on the development of Chinese piano music also were the topics discussed in this article.