摘要
季札观乐,出于聘礼仪程。鲁襄公不享季札,由叔孙穆子主飨。以叔孙穆子对礼乐的精通和坚守,季札请观周乐,必合乎聘礼规格及仪程。故叔孙穆子使乐工演《风》、《雅》、《颂》,乃出乎飨燕礼之乐宾环节的"无筭乐",采用"为之歌"则依照"房中乐"的弦歌方式。而季札"见舞",则出乎鲁之时禘礼。故今本《诗经》的次序,实本于鲁乐工演奏次序。
The Ji Zha Guan Yue(Ji Zha review music) come from the etiquette of betrothal presents.Ji Zha wanted to enjoy the music of Zhou,Since Shu Sun Mu Zi skillful at Liyue(system of rite,morality and music),which certainly meted the specification of visiting presents and etiquette process.So that Shu Sun Mu Zi asked the musicians played Feng Ya,and Song.According to this paper writer's idea,the order of Shi Jing(Classic of Poetry) in a nowadays actually is the one that musicians of Lu kingdom playing in thousand year ago.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2013年第2期27-35,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
国家社科基金项目"秦汉国家建构与中国文学格局之初成"(12BZW059)成果
关键词
季札观乐
聘礼
程序
诗经演奏问题
Ji Zha Guan Yue(Ji Zha review music)
visiting presents
procedure
issue of playing Shi Jing(Classic of Poetry)