以《第五弦乐四重奏》看谢尔西晚期“单一音”创作技法特征

On the Feature of "Single Note" Creative Technique from Scelsi Late Work 5 String Quartets

文章以贾钦多·谢尔西(Giacinto Scelsi,1905-1988)的晚期代表作《第五弦乐四重奏》为例,通过对其单一音的设立、结构的划分、音区的转变和微分音的使用这四个方面的观测,尝试对谢尔西晚期的"单一音"创作技法特征进行归纳。并通过比较该技法在其成熟期的运用特征,尝试总结出作曲家在晚期创作阶段对"单一音"技法的进一步改变和完善。

This paper introduced Giacinto Scelsi（1905-1988） late masterpiece 5 String Quartets,through observing four aspects of the work： its single note established,structure divided,registers changed and microtone used,tried to summarize the features of Scelsi late ＂single note＂ creative technique.Through comparing the features of this technique utilized in maturity,the article tried to sum up the composer further changing and improving the ＂single note＂ technique in his late creative stage.