低音提琴在中国民族交响乐队中的意义

On the Significance of the Double Bass in Chinese Traditional Orchestra

本文以低音提琴在民族交响乐团中的地位为研究对象,以民族交响乐的发展史为框架,将低音提琴放在中国民族交响乐发展史及乐器改革的大背景中进行研究,根据低音在交响乐中的作用以及民族交响乐中的弓弦组低音乐器缺乏等问题作为前提。在此基础上对民族交响乐的发展、民族交响音乐团的发展、低音提琴与改革乐器在音色、音域等方面对比进行分析和总结,并对中西乐器在民族交响乐团中的混合使用的现实意义进行论述。

This paper discussed the issue of double bass in Chinese traditional orchestra,for the problem that Chinese traditional orchestra l7ack of bass instruments in the bowed string group as premise,compared with the reform bass instrument on the aspects of timbre,range and others as well,explored to use the double bass in Chinese traditional orchestra,explained the practical significance of double bass in the Chinese traditional orchestra.