无根的漂摇:产业化背景下中国电影导演的症候分析——张艺谋和《金陵十三钗》

Floating without roots ——On the symptom of Chinese director under the background of movie industrialization:Yimou Zhang and the Flowers of War

中国电影产业化的导向与新中国电影的传统教育分属于不同的价值导向,这令当前中国导演的创作有些无所适从。中国电影圈中的大腕级导演张艺谋在当前电影创作中的表现,折射了当前中国电影导演的创作处境,他的《金陵十三钗》游走于商业与艺术之间,尽管商业性与艺术性并非水火不相容,但电影却未提供一种有效的创作经验,观众从电影中找不到导演的艺术立场。

It is two different value systems that the industry orientation of Chinese movie and the traditional film education that makes the contemporary Chinese directors in a dilemma.The big-name director Yimou Zhang＇s movie creation reflects the Chinese directors＇ general situation,which floating between business and art in The Flowers of War without providing a successful experience.