诗歌翻译中译者主体性的体现——以许渊冲译《武陵春》为例

On Translator's Subjectivity in Poetry Translation——Xu Yuanchong's Translation of Spring in Peach Blossom Land

中国古诗词是中华文化的精华所在,其独特的形式和多重的内涵为诗歌翻译树立了一座难以攀登的高峰。译者主体性在翻译过程中特别是诗歌翻译过程中扮演了十分重要的角色,译者通过其自身主体性的充分发挥,才有可能使原作在译语文化中获得新生。许渊冲教授对李清照词《武陵春》的翻译是诗歌翻译过程中译者主体性彰显的极好证明。

Chinese ancient poetry is the quintessence of Chinese traditional culture, with unique form and multiple connotations; it has become an unreachable peak for poetry translators. Only through bringing subjectivity into play could it be possible for poetry translators givg rebirth to the source text in the target language and culture. Professor Xu Yuanchong＇s translating of Spring in Peach Blossom Land is a wonderful demonstration for exertion of poetry translators＇ subjectivity in poetry translating.