明代隆庆、万历间散曲对正德、嘉靖间的承变

On the Distribution Changes during the Period from 1506 to 1573 in Ming Dynasty

相较于明代正、嘉间南北曲竞相发展的局面,隆、万间的散曲文学总体呈现出南曲繁盛,北曲趋微的态势。此期曲坛的基本表征为:隆、万间创作南曲的曲家数量和现存南曲作品的数量明显多于正、嘉间;隆、万间曲家的身份地位较之正、嘉间曲家整体呈下行趋势;曲家地域分布不平衡特点突出,两时段各地曲家的数量有明显增减;传统题材类型没有变化,一些题材类型的数量、位次变化较大;整体曲风呈现出趋艳、趋雅、尚俗的特点,对正、嘉间的曲坛承中有变。

Compared with the evolution situation of Sanqu poem during the reign of Zhengde and Jiaqing, the Sanqu literature in the reign of Longqing and Wanli assumes such a feature： the sanqu literature flourishes in the southern areas while it declines in the northem parts, or rather, the number of writers of Sanqu poem and works of such is much bigger than those in the reign of Zhengde and Jiaqing; and the status of such writers in the reign of Longqing and Wanli is much lower than that in Zhengde and Jiaqing; besides, the writer distribution is out of proportion, the genre is prosaic, and the contents are vulgar and meaningless, which indicates certain heritage from the sanqu poem in the reign of Zhengde and Jiaqing.