摘要
探讨了郭沫若和郁达夫一方面尊重人的完整性,试图在自传中呈现一个完整的自我;另一方面又都以文学化的笔调,精心塑造了自己更为认同的形象,进而展示出了不同文学化的自我。大体来说,郭沫若的自我形象十分积极,郁达夫的自我形象则偏于消极。
This paper explores the self-mages of Guo Moruo and Yu Dafu. On one hand, re- specting the integrity of human being, they have both attempted to present their integrated self-images in their autobiograpies. On the other hand, they have both created more acceptable images in a literary tone, thus, further revealed their different literary self-images. In general, the self-image of Guo is extremely positive while the one of Yu tends to be negative.
出处
《金陵科技学院学报(社会科学版)》
2013年第1期54-57,共4页
Journal of Jinling Institute of Technology(Social Sciences Edition)
关键词
自传
积极
消极
塑造
autobiography
positive
negative
shape